Photoshop Sunglasses | How To Remove Reflections From Sunglasses In Photoshop


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How To Remove Reflections From Sunglasses In Photoshop


Hi, there! This is animation picks in perfect and today. I’m going to show you how to remove reflections from sunglasses in Photoshop. I have two examples for you so that we develop a better understanding. So without any further ado, let’s get started. [MUSIC] So here we on Photoshop. And if you wanna go ahead and download any of the photos, you know what I do. Check the links in the description. All right, so let’s have a look. Her sunglasses have a lot of reflection if we zoom in. I already went ahead and removed the reflections have a look. This is the before, and this is the after looks wonderful, doesn’t it so? I’m gonna start all over again so that we can understand how we did it. All right, so let’s go ahead and delete it, and this is how the image will look when you first open it. So the first thing that we have to do is to make a selection of the glasses, and this selection has to be perfect and to have perfect selection of anything around hard edges. What we need to do. We need to use the pen. Do all right, so let’s zoom in quite a bit ctrl or command + to zoom in or hold the spacebar and the ctrl or command, drag it to the right to make It zoomed in, drag it to the left to zoom out. All right, so let’s zoom in quite a bit and let’s take the pen tool by pressing the letter. B all right now! Let’s make a selection of the right glass. You want to make sure that you make the parts separate the right glass and the left glass, all right, so let’s zoom in and make sure the pen tool is selected the regular pen tool, not the curvature pen tool and make a very precise selection of the glass. If there’s an edge, make sure you stay inside and you just select the glass. All right, so let’s start make a point over there. All right, that’s pretty good. You know what to do, right. Click and drag just like that. Click and drag and by the way again. I would repeat. If you want to learn how to use the pen tool, check this video out on mastering the pen tool right from scratch, and by the end of it, you will know everything that you need to know about the pen tool, so a very important video. You need to watch that. If you haven’t yet, alright, so let’s adjust it and this is one of the great things about the pen tool. Is that once you make a pot, you can adjust that later by holding the ctrl or command. You can adjust these points easy. You can adjust. These handles the way you like and continue with that all right now. I’ve already done it so I won’t take you to the whole process of doing it, but I’m just quickly doing it. Make sure it’s precise. It’s not precise over here. Make sure it’s very precise like it’s. It should be on point on the edge. All right, adjust it, okay. I think there’s an insect here anyway. So this is the way you make it now. This is not perfect. We need to adjust it properly, but you get the idea. Okay, so if we go to the parts tab, you will see the work part. The work part is the part that we are working on if you name it. I’ll just double click on the name. Double click on the work part and let’s name it glass, right test. So this is what we are doing right now now! These two are the paths which we already made that. I already made before recording this tutorial. So these are perfect months, so let’s go ahead and delete this. That’s how we make it now. Once you make it just like we did. Make sure you rename it so that they are saved, and that’s the way we made both of them. Glass left and glass, right, lets. Delete it so we already have the glass, right, perfect selection of this really looking nice now. We need to make a selection of this path. How can we do that by holding the ctrl or command clicking on the thumbnail? This makes a selection now. You cannot go over this election. Why not if you press? Q this takes us into the quick mask mode, and this exactly shows you The selection in the form of a mask. Red other areas, which are not selected colored areas, are the areas which are selected. But as you can see, the edges are very sharp, and that’s not the case in real life, so we need to blur it out. Once you jump into the quick mask mode. There are two ways to blur it out by using Gaussian blur and manually blurring it out. Let’s apply a Gaussian blur, going to filter blur and then let’s apply Gaussian blur, probably 20 20 is pretty fine now. That’s kind of too much. Let’s go 1.4 looks pretty good hit, OK? Now for the areas which need some extra blur, you can use the blur tool. Alright, and just simply blur this area out. It’s pretty good. You can blur this area if you want to, but I think it’s perfect in this case. All right, this is great. Zoom out now. Once you’re done softening the selection press. Q again to return to the selection with the marching ants. So this is necessary when you have soft focus or an images where you have shallow depth of field. Where part of the glass is blurry? Alright, now that we have a selection, Let’s save the selection because we can use it multiple times. So how can we save a selection once you return into the marching ant’s selection mode? Then all you have to do go to select and save selection as simple as that and name it glass, right or right. Whatever you like it ok now. It saves as a channel press. Ctrl or command. D to let go of it. Come back to the channels. You see, The selection is already saved over there now. Let’s do the same with the left. Glass, let’s go to the parts. Hold the ctrl or command glass left-click on over there as you can see selection is there. Do we need to soften an edge? And do we need to make some adjustments? Have a look, not all of it is selected. So press ctrl or command. D and we need to adjust the path. All right, so let’s go to the glass left. Click on it so the path is not perfect. It’s perfect over here, but it’s kind of not great, so let’s adjust it. So hold the ctrl or command. Click on the path and then just adjust the handles the points and make sure it’s perfect, all right. That is great over here. We need to make some adjustments. We need to pull it down. We need to create one more point over here, so get to the pen to just click and hold the controller command. Drag it just like that. Easy, right, so this is perfect. We need to create one more point. Hold the ctrl or command, drag it and adjust these handles. Okay, looks fine to me. Looks pretty good now. Let’s make a selection of it by holding the control or command clicking on this one now. We have a selection press. Q to see whether the selection is right. It’s pretty good, it’s not bad We need to soften it up a little bit, and there’s a little bit area left over here, so we can take the brush and paint, make the brush smaller by clicking on the drop down menu and using the size or you can hold the alt or option. The right mouse button drag it to the right to make it big, drag it to the left to make it small and by the way. I just said alt or option, but if you’re on Mac, you have to hold option control and then drag with the right mouse button, okay. Windows, it would be alt and then drag with the right mouse button. So in Mac, you have an extra key, so paint this area in black. Make sure it’s red, okay. I’m gonna paint extra areas in white, so make sure any area, which is selected is in color. Any area, which is not selected is in red. Now it might be completely opposite for you, depending upon what you have selected in the quick mask settings. So if you want to go to the quick mask settings, just double, click here, look at the settings. Color indicates masked areas, which means anything which is in red color or any color that you select is not selected if you choose selected areas, anything which is in red color is selected, So I have chosen mysterious it. Okay, alright, so that is pretty good hit. Q again. We need to soften it up a little bit, but this side it is okay. We just need to soften up this side. So with the blur tool, we’ll just soften it up like that. See, you can also decrease the strength of the blur. If you want to, but that’s fine for me. Alright, that’s pretty good hit. Q again to come back. Zoom out a little bit. And then let’s save the selection as well by going to select safe selection and we can name it. Glass left, okay. There is saved press, control or command. D now let’s come back to list and make a copy of the background layer. Now the first step is blurring it. Okay, make a copy of the background layer by pressing ctrl or command. J now we need to make a selection of both of these glasses. The left and the right. So let’s go to the channels holding the control or command. Click on Glass. Right makes a selection of this one. If you also want to make a selection of the other one, hold the shift key along the control key and click on that so along with this, this also will be selected, so select this one. Then hold the shift key and the control key together command, keep using a mac in place of control and click on the other one. Then come back to layers, make sure both of them are selected, go to filter blur and then Gaussian blur. Now let’s blur it to the point where it seems okay for me. I guess it’s kind of too much. Let’s go 1.4 ish. Let’s see how 1.4 looks 1.4 is great. It’s not bad. Let’s zoom out and have a look at it. 1.4 Is great or probably 13 Let’s go with 1.4 Now it’s a decision that might take time for you to make, but make the right decision and hit. Okay, All right, now. Press ctrl or command. D to let go of the marching ants. The next step would be to remove the blur from the areas where you want the details. If we zoom in and have a look since we applied the blur, the edges, which means the frame in this case, also poured into the glass, so we have to remove a part of it and that will happen. All right, so here’s what we need to do also to avoid this. What we could have done is that we just made a copy of the glass on an another layer and then apply the blur, but if we did that, the edges wouldn’t have been blurred inside of the glass that would have created another problem, so it’s okay to have a little bit spill over because, anyway, we’re gonna remove it and we gonna paint over it, so let’s name this layer blur and let’s create a mask by clicking on the mask button. Now take the brush and make sure the foreground color is black and decrease the flow to somewhere around 10 percent. That’s fine now. What is the concept of mask? Black other areas which do not show up and white other areas which show up if inside of the mask? I take the brush and paint in black. The blur will remove. Let’s increase the flow, the blur will remove and the original image or the background layer will appear simple concept of mask lists go back and simply decrease the flow this time 10 and just paint around the edges or the areas where you want the details back in, for example, this area. We want the skin to be there and it’s okay. If we have a little bit reflection of the nearby areas like the frame, it’s okay that looks natural now. He painted a little extra. We have to paint some areas in white back again. Okay, this is extra press. X to make sure the foreground color is white and paint back in these areas. This is pretty good now. I see a problem here. The selection was not perfect. See, a very tiny little bit is left over here. What to do now? Don’t need to fuss about it. All you have to do. Come back to the layer, select the blur tool and just blur it out like that. Easy nothing to worry about. Lets let’s do it properly. Let’s make the brush a little smaller, and I think the selection was perfect. It’s spilling over, lets. Leave it at that, it’s! Cool or what we can also do is that we can make a selection and then blur it, so we can use the pen tool or whatever be like. Let’s just temporarily make a selection around it. I think we need to do it because it’s just annoying me a little bit, so there we go and just a simple selection, right, Click make selection there various mixes there it is hit. OK, make sure the feather is zero hit, OK? And with the blur -, let’s blur it out. Ctrl or command D. I think it was perfect. Let’s leave it at that or this is good as well. Let’s zoom out and let’s see, let’s see the before. Yeah, this was not bad now. You might have to do this from time and again and also keep in mind that we are going to paint it, so it doesn’t really matter, right, so let’s go forward. It doesn’t really matter. This thing you’re gonna paint over it, okay, So, for the left hand side, zoom in and make sure the mask is selected, take the brush and then foreground, color, black and start painting around the edges or any place, where you think there should be reflection, For example, the reflection of the hair is. OK, and it should be there. It’s okay to paint a little bit extra and then remove that later by painting in white press X to toggle between the foreground and the background and then just paint on those areas where you want to remove the stuff. If you want to remove the hair reflection, you can do that as well, but I’m gonna keep it at leave it at that. That’s okay for me. Let’s zoom out and have a look. Press ctrl or command 0 to fit the canvas to screen it’s. Pretty good looks pretty nice zoom in, and you can leave it at that actually, but we’re gonna paint because that’s the fun part. Alright, all right now! Once you’re satisfied with this, all you have to do create an empty layer. Okay, create an empty layer and we can name it. Probably paint, right. This is for the right inside now. Create one more layer. Okay, in this levy will sample the colors that we are going to paint with. Okay, so all you have to do. Make sure you have the brush selected. The flow is at hundred hardness is also at hundred. You can also increase the hardness by holding the Alt + the right mouse button drag it up to make it soft. Drag it down to make it hard with the Mac that would be option. And ctrl and then drag, okay. Hardness is hundred, and we are just sampling colors that we’re gonna paint to it. Okay, So the sample hold the alt or option. Click on it and just paint at the top. This is just sampling purposes also make sure that with the eyedropper tool selected, it is point sample this time because anyway, we have blurred, it doesn’t really matter. We don’t need to average the colors point sample, then take the brush and then sample, so this color is gonna be at the top at the site. We’re gonna have somewhere around this color, so let’s paint side with this one, and we will paint in the same structure and in the middle kind of we have this color. We also have this color at the side. We have kind of this color and we also have this color. The left and that’s pretty fun. That’s all we all the colors that we need next. We need to come back to the paint right layer now. We need to create a mask so that the colors don’t go out of the class, so we already have the selection. Go to the channel’s glass, right, hold the ctrl or command. Click on it and then create a mask out of it. Okay, now anytime you paint with the brush. If you take the brush and anytime you paint, whatever, just make sure the mask is not selected with the layer. Brush or paint. Whatever you like, see, it just doesn’t get out of the glass. That’s the great part now. Let’s see whether the selection is right or not or the mask is right or not. Mask is right at this point. We need to just make the mask a little bit to the edge. So with a pen do let’s refine the mask. And that’s why having a good selection is very essential. Okay, select this right. Click make selection. Get okay, paint that area in white alt backspace make sure the foreground color is white alt backspace to fill that control or command? D to let go of it now. This is perfect, We need to blur it, just a little bit with the blur, tool and strength. We’ll keep it 20 ish. That is fine and lets. Blur it just a little bit. It’s fine now. Let’s save this selection as perfect so once. We have the mask ready. We can hold the ctrl or command. Select the mask again and then let’s save it. Select save selection. That was not perfect glass, right, Its name it correct hit. OK, and let’s go to channels and lets. Delete the old one glass, right. This was not perfect, lets. Delete it! You don’t need it ctrl or command. D let’s come back to layers, so we didn’t need to fill it with purple. This is something which? I showed you just for demonstration, so let’s erase that with the eraser or anything. You like. Just erase that, okay. Now let’s take the brush. Make sure it’s very big. Make sure it’s very soft and then start sampling and painting so first, go over the middle color. So this is the middle color. So we’ll just make the brush big enough and paint with it flow. You can decrease to 20 ish and start painting. Yeah, that looks fine, okay. Now let’s sample the top color and give it a shine at the top. Okay, now what we need to need to do decrease the flow to 10% so that we get more leave a into the number of times we can paint, all right. This is great on the left-hand side. We had this color so sample that color and just paint from the left like that okay now. I know this looks cartoonish, but you have to wait so on the right hand side. We have that color so just a little bit tinge of that color on the right. You see how this is going? This is a buildup. Alright, so at the bottom. We had this color, so lets. Take a sample from that and paint at the bottom. This side, a little bit of that color, that’s fine. It looks it’s looking great to me. So what else if you want a little bit of that color? We can do that as well, so you’ve got the basic look of the glass. If you want, you can just sample a brighter color as well. Let’s sample this color and make it even more brighter by double-clicking over here. Let’s go to B and make it brighter. You can also decrease the saturation and make it white ish it. Okay, and then you can also brighten it even more. If you want to anytime, you’re doing such stuff, make sure to zoom out and have a look that that’s looking realistic or not. Okay, that is great, so let’s have a look at that before. And after so, this is the before. This is the after the overall before and after so, this is the before this is the after now. This is looking really bad, so we need to decrease what the opacity let’s decrease the opacity. You don’t need to complete, so let’s gradually increase it to the point where we like it, okay. 75 76 Let’s keep it 70 or 80 ish Eighties. Fine, Let’s zoom in and have a look. This is fine! Have a look before after it’s pretty good. Now, let’s add a curve’s adjustment layer to add some contrast to it. Click on the adjustment layer icon and choose curves. Now you want to make sure that it’s applied only to this area overall, so with the mask selected, let’s go to the channel’s glass. Right, correct, or we can really omit the glass right, doesn’t really matter by holding the ctrl or command. Click on that. Come back to this now! We want to make sure that this area is painted in white and the rest of the areas in black. However, Here’s what we have to do, then in this case press. X make sure the foreground color is black. Paint this area in black because rest of the area is already in white. Alt backspace. This area is now in Black Havilah, now in black press ctrl or command. D now we simply invert this with the mask. Selected press ctrl or command I to invert come back to the properties by clicking on the layer thumbnail or the symbol. It brings back the properties of the curves And let’s work on this thing. Pretty good looking great. If you want, you can just play along. Do whatever you like, let’s zoom out. Let’s have a look. It’s looking pretty darn good. Avila p–. Before after wonderful. Now we will bring some textures into that. Don’t worry about that, but before we need to do this one, so let’s collapse this and let’s do this side and create a new layer and this time vivo name. It paint left, simply go to the channels. Make sure Glass left is selected by holding the controller command. Click on that one come back to the layers and then click on the mask button. Now simply take the brush and we need to take samples so for sample, we have this layer and we can also name it sample layer and this is just for demonstration and take the brush make it harder, make sure. Louis, this time 100% and this side. We have this color this side. We have that color. We also have a brighter version for the bright areas. You have a dark color and for the middle. We have this color and let’s just paint it and that’s pretty much wraps it up. I think we need to sample it properly. Yeah, okay now. Make the brush bigger, make it softer decrease the flow to 20% come back to this layer, Not the mosque. Come back to the lab and then paint it at the top. We have this so we will just paint like that. Go over the Middles first and then paint the bright ones around the corners. It helps you add that dimension. So this is the middle color. I’m gonna paint in the middle like that. It’s looking flat, however. Wait for it Now. Let’s sample the dark color and paint around the edge. You see how the dimension shows up? Okay, let’s sample this color and this edge. Now, let’s sample this color and add that dimension at the top sample, a brighter color. Add more dimension, a darker color here. Yeah, that is great now. If you want to sample brighter colors sample from this, it doesn’t really matter and you get this. Okay, It’s pretty good looking. Great, wonderful, No problem at all. Now, once you have painted it. I would suggest that you zoom out and have a look before you move forward. So once we zoom out, let’s have a look at it. It’s looking pretty good. Do we need to make some adjustments lets? Try brightening up this area just for trial. Let’s sample this and lets. Try brightening up a little bit that area. Yeah, adds a kind of dimension. Let’s darken the left-hand side. Okay, that looks great, lets. Go with it now! Let’s decrease what in the opacity and increase it gradually to the point where you think it’s okay, 85 or 85 It’s fine or let’s go with 90 That’s fine now. It’s time for us to add curves, so click on the adjustment layer icon and choose curves. We would need the same mask again, so let me show you a trick instead of going to channels and making a selection, but you can also do by holding the alt or option. Click on the previous mask, drag it and drop it over here, replace layer mask. Yes, so we just copied the mask by holding the alt or option clicking and dragging from the previous paint left and dropping it over here. Alright, so click on the symbol or the icon and let’s adjust it. Alright, zoom out and have a look. Yeah, it’s looking pretty good now. Let’s collapse! This now one more step that we can do is make a group of all of this, the paint layers. Press ctrl or command. G and we can name this paint. What we can also do create a mask of it and we can remove the paint from the areas where we don’t like it. So with the brush. Select, make sure the foreground color is black flow this time. Let’s go 5 percent and let’s paint on the areas where we don’t want the paint. Alright, so this is. OK, you want it a little bit paint over there? That was fine at the bottom, also. If you want the reflection of the hair, so you can paint over here if you want to for the nearby areas, it looks great paint back in the areas where you do not want reflection. Okay, that’s pretty great, but there’s one thing missing. You know, and that thing is a little bit of texture. I know this is glass. I know this is meant to be smooth, but if we can add a little bit of texture to it. That would be awesome. We needed the texture, so I went ahead and searched for an image with sunglasses, but without any reflections, so here’s what I found. Let’s have a look, We have the sunglasses, but no reflections, and it has the texture that we crave for so all we have to do just to copy this over, so what we can do. Just click and drag this layer and drop it over this document. Also, you could have just pressed CTRL or command a selected all ctrl or command C and then Ctrl or command V. Lots of ways of doing it. Now, let’s make it smaller ctrl or command. T like that, make it sizable, and as you can see in this. The light is coming from the left, so we need to flip it as in the background. The light is coming from the right, right. Click on it and choose flip horizontal. Now let’s make it of similar size, but a little bigger. This is okay, hit enter. This is fine now. Let’s convert this into a smart object so that we can change the values of high pass later. Yes, we can apply high pass to just retain the texture so filter convert for Smart. Filters hit, okay. This converts this into a smart object. Now what we need to do, go to filter other? High Pass okay now. Let’s keep it at 0.1 let’s zoom in and keep on increasing. And just when you see the texture showing up inside of the glass stop. We want more and more texture, not enough. I think this 25 let’s keep it at 25 hit, okay, and then change the blend mode from normal to overlay. You could have also discolored it. If you wanted, but I’m gonna leave it at that overlay. Now, let’s copy it. Just drag it over this lens or glass. Whatever you call it okay now. We need to mask this out. We already have that. Go to the channels. Hold the control or command glass, right. Just click on that. Come back to less create a mask. See, that’s limited to that. And now we have this amazing texture. If you want to move the texture, come back to the layer. And if you move it, it will move with the mask. We don’t want that to happen. So click on this link button that way the mask and the layer becomes separate. Now you can move the texture accordingly. You can make it bigger. Do whatever you like. I’m gonna leave it at that. Wonderful, let’s do the same thing for the left-hand side, So just simply make a copy of this one. Press ctrl or command. J and we need to alter the mask. Click on a mask, button, ctrl or command A and then fill it and fill everything with black press. X make sure the foreground color is black or backspace. Fill everything with black or you could have also deleted the mask and created the mask again. Same thing, press ctrl or command D to let go of the marching ants, but you might say there was no marching ants. Yes, there was, but you cannot couldn’t see it. It was like this right Controller Command D if it’s zoomed in so that, and that’s why you couldn’t see. All right, now do the same thing. Go to the channels select glass left and then paint that area in white because we want to show that area. So alt backspace make sure the foreground color is white alt backspace option delete? And there we go press ctrl or command. D break the link link is already broken and then we move it. The mask is moved! We didn’t want that to happen. Make sure the layer is selected. We want to move to less so yeah. This is fine! Let’s zoom out, press ctrl or command 0 and have a look at it. Wonderful, isn’t it? Now we need to delete the sample layer or just simply turn it off. All right removed. Have a look at it isn’t. This wonderful. Let’s have a look before after and at any point of time. If you think anything is too much, you can always decrease. What the opacity? If you think the paint is too much decrease the opacity as simple as that right to make it more realistic decrease the opacity and you can decrease. The opacity looks pretty good, right, Looks pretty good zoom in. Yeah, you can do that, but I’m gonna leave it at probably 92 or let’s keep it at 96 This is fun! You can also decrease the opacity of the texture. If you want to of individual curves, adjustment layers, If you want to everything is in your hands, and we are done with the example number one. Let’s move to the second example, and in this example, we can be talking about an extra thing which we can do to make it even more realistic and that was not required in the first image by the way this image were submitted by Bob Stein. Thank you so much! Bob for this photo is an amazing friend of mine. All right, so let’s have a look at it. I already did it so that you don’t have to go through the complete process so blurred it out, just like we do, right. Then colored it simple color. The left one added the texture to both of them, and then we did an extra thing to make it even more realistic and that is the glare. Let’s have a look at it. Isn’t this wonderful? And here’s how to do it. I’m gonna show it lets. Delete it after you Add the texture. What we can do to emulate some reflections. It’s simple to do with a pen tool selected. Lets press. P to select the pen tool and we can make any shape. So let’s make something like this for this. And it can also be a square or anything. You like lets. Adjust it, okay, and make a shape something like this. Make a selection of it, right-click and choose make selection zero pixels feather hit. OK, and then fill this area with white, create a new layer and fill it with white. Make sure the foreground color is white and then alt backspace. Okay, Press ctrl or command. D now we need to limit it just to the glass. So here’s how we do it. We already might have the selection somewhere here. Textured, right, here’s the same selection which went with the texture. I didn’t go to the channels because I didn’t save it in this case. So let’s mask it out. Yeah, it’s done now. Most crucial part decrease the opacity lets. Keep it somewhere around 4% 6% Is fine and wonderful. Isn’t it now? If you want, it’s very sharp, right very sharp, so we can add a blur to it. Make sure the layer is selected. Go to filter blur. Gaussian Blur, You can apply Probably 1.6 1.4 not too much. We need this to be sharp 1.4 okay, and then break the link so that he can move it the way you like it. If you want just a little bit of it, if you want more of it, you can rotate it if you like it like this, and this is fine. Yep, satisfied, okay, now for the second glass. Also, you can do this. Just make a copy of it. Press ctrl or command. J and this time we need to alter the mask, so let’s delete the mask. Okay, delete it and then go to whatever you like. Make sure you bring up. The selection of the left-hand side left inside. And then we will create a mask of that. Break the link. Come back to the lay. Move it to the left inside and adjust it the way you like it. I think in the left hand side, The opacity would be lower 4% yeah? Zuma, see the glare. Wonderful, isn’t it? So we can adjust it the way you like it? Probably you want to rotate it if you want to. Yeah, on the left hand side, a little bit of rotation. Let’s go with three and for this one, Let’s go with five now. You might have to adjust it, but this really emulates the reflection. Let’s have a look at it before and after so, this is the before this. Here’s the after, and that’s pretty much done now. The glare is completely optional. If that doesn’t look good to you, you can just opt out of it. Make a group of both of these press. Ctrl or command. G turn it off! Turn it on, see how that looks also what we can do. It’s not necessary that you have this shape. You can also have square as well, so let’s go ahead and choose the eraser and just erase all of this. All right, all righty, take the pen tool back again and you can also make a square. If you want to something like this, probably something like that. Okay, make a selection, right, Click on it, make selection hit. OK, and fill it with white alt backspace. That looks even better. Yeah, that looks nice, right. Doesn’t it so you can make anything you like? Let’s move it accordingly, right, so that’s totally up on what you want to do. Make sure you have the same shape on. Both the glasses. All right, so let’s go ahead and delete this. We don’t need just turn it off. We need the mask. Make a copy of this one ctrl or command. J and then just replace this mask with this one replaced layer mask. Yes, and move it break. The link link is already broken and move it to this. Maybe you need a little more or a little less, depending upon what you’re looking for, and you’re done or maybe just invert it. Zoom in ctrl or command. T invert flip horizontal. And it’s looking even stranger. We need to adjust it, but probably something like this. And you get the idea, right, so if this is square, you can just continue square and then just make the shape and you can make any shape that you like. This is probably looking much better than that. One that’s totally upon. What kind of reflection that you want to create. So this is the after, and this is the before huge difference. Isn’t it time to switch to example, Number 3 and this is not an example. It’s actually a homework for you since they are watched, it’s so long. It would be highly appreciated that you take this image. I’m gonna give you this image. You need to work on it. You need to remove the reflection from the sunglasses, and then what you need to do. You need to post it on Twitter, Dagny and add the hashtag fix assignment. One and the best work will be featured in an upcoming video. So buckle up. Do this if you want to. I just wanted to have fun. Give you some homework if you want to really learn. Photoshop work on this image post it and that’s all for this video, and that’s how we remove the reflection from sunglasses in Photoshop, Just a quick little recap. First of all, you have your image with all these reflections. We need to make a selection make a part right, get into quick mask mode. Blur it out. Do whatever you want to come back and save that selection, Okay, once the selection is saved. Make sure you love it. Both of them to the point where it looks natural and then paint it, just like we did make sure the mask is intact. Sample the colors that you want and then paint simply just paint with the brush add dimension to it. Add curves adjustment layers to add more dimension and contrast to that once we paint that add a texture. I already gave you the image of the texture. You can also use some other image. Just search for it. You get it or create your own image. If you want to add that texture to make it more realistic now, if you want to double up the texture, just double this press. Ctrl or command. J and just double this now. It’s working on it because there’s a lot of smart filters. Yes, now as you can see. The texture is doubled. Have a look before, but just one after you can also decrease the opacity of this one, and there, we go adds much more natural TI. And at the end if required, you can also add some glare of any shape that you like you can also use black and then decrease the opacity. It’s totally upon you. I used white. I hope this video helped you, And if it did make sure to give us a like and also do not forget to subscribe and note to subscribe the best that you, my friend, don’t miss a thing. I would like to take this moment to thank all these nice people for supporting this channel on patreon and helping keep picks in perfect free for everybody forever. Thank you so much for all the support. I’ll see you guys on my next one till then stay tuned and make sure that you keep creating [Music] you?